Little Preludes

Little Preludes

Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.

Greece
19'
1998


Script
Vangelis Kalambakas

Cinematography
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.

Production
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.

Cast
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.

Awards
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Best Photography
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.
Inside a flat in a residential building, a young girl is practing Bach’s Little Prelude in D-minor on the piano. After she finishes playing, we are successively transported into five neighbouring flats. Each of these spaces send its own acoustic signals to the adjacent spaces.

Festivals
5th Festival on Wheels
SHORT IS BETTER: EUROPEAN PANORAMA